Wednesday, May 16, 2012
Something I struggle with daily
What is the
role of the artist in our society? Ask this question to different people
and you will learn about individual ideology, actual intellect, as well as a
bit about class and education. Of course there is “not really a correct
answer to the question” although historically groups of artists argued for
their ways of thinking as being the only art of the time. Scholars and
critics have come in to attempt to redefine art as the lens of interpretation,
and of course the collector or patron who use their money and influence to
direct and create their own definitions.
Why does this even matter as most people I
believe view art as something merely decorative created by grand eccentrics or meek
introverts who only really have the ability to be an “artist.” This might be
true in some ways but this is due to a mass interpretation heavy-handed to us
with our historic paradigms of Oligarchic control. As many know over
recent years, probably 40 or so, there has been a real attempt by one side to
try to erase thousands of years of history and on the other side to continue
pushing the commodity fetish power structure side of things. With
socially engaged and culturally conscious people representing a voice of the
avant-garde, where their art is no longer 'art' but something all together
different and past the notion of cultural production. And then there's
the other side filled with glitter and jet setting events.
With all of this push and pull it’s more a
power struggle of ideology and sadly it’s very often not about the work or what
the work is about. It's more a combination of who fits the profile of the
archetype of the projected audience and a moment of social networking perceived
to be beneficial by the organizer. This happens at every level from
galley to museum, residency to grant recipient and textbook to blog. On
top of all of this there is the middle ground containing the majority of people
and this is an unbelievably gray space. This is because the taking from
both extremes happens here making it very difficult to navigate the real from
the fake the truly invested or those merely looking for a sound investment.
What happens is it becomes a popularity contest on both sides of the
middle and these people start to define public consciousness of art.
Mars on Park Ave
Bill Powers grading exams on Mars |
Since I started at Creative Time in January the talk of the
office has been about the Tom Sachs Mars exhibition we had planned for this May
and June at the Park Avenue Armory.
Well it opened on the 15th and Runs until the middle of June
and was in fact the best opening I have ever attended in my life even
surpassing my own shows. His work
is easily accessible for all kinds of audiences, there was even a lack of the horrible pretentious
stereotype of the art world
surprisingly present in an opening filled with serious collector and
celebrities like Michael Stipe, Kanye West, and Cynthia Rowley. Really the work
is simply just fun and every one in the Armory for a brief bit of time let down
there guards and believed in being
human for a moment perhaps having a bit of childlike nostalgia during the
experience on Mars . This might be
due to the fact the works although some being monumental are clearly created by
people, no fancy fabrications just years of hard work by Sachs and his amazing
team of skate boarding whisky
drinking assistants. The truth is
the show is self-reflexive of humanity and the youthfulness and joy so often
over looked in this city and in our society as a whole as computers and finance
define us. No one exemplified this
more then gallerist and TV personality Bill Powers who was the most engaged
person on Mars. Wearing a Nasa Lab
coat and grading exams of those at
the testing station on Mars. His
glow was so bright and smile so large I believe for the evening he was simply
playing as he did as a 10 year old.
My time at Creative Time is almost over as I was just there for 6-month
internship and this was the perfect culmination of my experience working for
such a fantastic organization. I
will be kicking it on Mars a few days a week until the expedition is over and I recommend you come so you
can journey to Mars your self.
Monday, May 14, 2012
Tom Sachs takes us to Mars
Tom Sachs talking about the role of "Tea Culture on Mars" |
http://tomsachsmars.com/
Thursday, May 3, 2012
Racism and Baseball
112irop[werioweff23
A few weeks ago I was in Boston and I went to watch the Yankees play the Red Sox.
Two gentlemen next to me though got thrown out of the
game and although I joke about it saying that it made it a more authentic
experience, it was really sad. I am
also unsure how far it could be taken from a criminal perspective as it was at
Fenway but clearly an assault based on race. The men started throwing peanuts at an interracial
couple a few rows up from where I was sitting. They did it a few times before the man they where targeting came up and stated screaming at the wrong group of people.
The couple must have gone to security as sure enough the men next to me started
throwing peanuts again but this time four or so officers came and pulled them
out of their seats. This happened
right before the Yankees really started winning or I could have been a target
of this groups harassment. He
already made a Jew remark early on when he learned I was from New York. I forget racism exists living in
New York, I did see it in Princeton as well as in Philly but nothing as direct
and uneducated as this. The people behind me said it isn’t a season if that guy
doesn’t get kicked out, but this was more then that. I believed we had moved way past this in our society I guess
the art world is a bit more accepting even with its ridged hierarchical
structure. Or perhaps we are more subversive?
Liam Gillick at Casey Kaplan
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All I wanted was to be 15 and try to rail slide the sculptures in the gallery but not much more. Oh wait Deitch did that like 10 years ago. The Gillick show was just very confusing with large black vinyl works on the walls referencing medieval manuscripts juxtaposed with minimalist sculpture. There was an over written statement for the show trying to explain what we where looking at. Granted most of my posts are kind of on the smaller side, but if you are at the show pick up the statement, give it a good read and let me know what it's trying to say. Truthfully some of the sculptures are ok if you are into work that has come out of Minimalism. There is nothing one hasn’t seen before with the ground rails being the strongest works in the show. I have a real problem in claiming Marxist inspiration for the work, as placing it in a gallery in Chelsea it kind of negates any firm connection to Marx.
Dana Schutz
Dana Schutz had an opening on May Second it was her first
Exhibition at Friedrich Petzel.
Her paintings are often filled with a level of grotesque hummer but not
so in this show. I found a more tamer Schutz a bit strange but not off putting
for neither her or the gallery, one in which I feel pushes the limit more so then
others in Chelsea. Petzel's shows are often the best in the west 20's. Schutz is helping to define what painting is in our present moment and pushing what figure painting can be. Although the room of Yawn paintings may be some kind of acknowledgement
of the show itself. The work is both comfortable and a bit sleepy, but not boring. I like yawning and I guess art doesn't all need to be super flashy, slick, or grotesque in its jokes. Building the Boat While Sailing the
largest work in the show is way too much in a conversation with the Murals of
Diego Rivera so recently after the fantastic show at the MoMA however I like
the painting.
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